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Mastering Īrdour can be used as an audio mastering environment. It includes a crossfade editor and beat detection, unlimited undo/redo, and a "snapshot" feature for saving the current state of a session to a file. Editing Īrdour supports dragging, trimming, splitting and time-stretching recorded regions with sample-level resolution, and supports layer regions. All sample data is mixed and maintained internally in 32-bit floating point format. All gain, panning and plug-in parameters can be automated. Mixing Īrdour supports an arbitrary number of tracks and buses through an "anything to anywhere" routing system. Using the JACK audio, Ardour can record concurrently from both the audio card and compatible software. Self-monitoring makes it possible to apply plug-in effects while recording. Monitoring options include self-monitoring, external hardware support (dependent on sound card support), and specialized hardware support (e.g. When recording on top of existing media, it can perform latency compensation, positioning recorded material where it was intended to be when recording it. Features Recording Īrdour's recording abilities are limited by only the hardware it is run on there are no built-in limits in its capabilities.

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It is free software, released under the terms of the GPL-2.0-or-later.
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It is intended as a digital audio workstation suitable for professional use. Its primary author is Paul Davis, who was also responsible for the JACK Audio Connection Kit. There are definitely limits relative to more advanced editors, but if you rarely dive into Audacity's more complex tools, you're unlikely to notice the limits here.Ardour is a hard disk recorder and digital audio workstation application that runs on Linux, macOS, FreeBSD and Microsoft Windows. You can still apply effects, fine-tune the EQ and gain (with a real-time preview, so you know what the audio will sound like before actually making any changes), and use the multi-track design for mixing. While the UI appears dated, it's extremely easy to navigate, which means your transition period from Audacity to Ocenaudio shouldn't last too long.īut while simplicity is the focus, that doesn't mean Ocenaudio lacks features.


So if that describes your time with Audacity, then Ocenaudio is what you'll want to jump to-it focuses on simplicity and ease of use above all else. If you aren't making music or fine-tuning your voice to that perfect pitch, you probably just need something to record your audio with and then do some simple editing. While some people use Audacity for all of their audio editing, many use it rather sparingly for simple audio projects.
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The only exceptions to this are Adobe Audition which is only available on macOS and Windows, and Apple's software exclusive to macOS.
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Fortunately, there are multiple quality editors available for free we'll be covering today.
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Open-Source: This means a program's source code is public and easily modifiable by anyone with the know-how.

If you've been reaching the limits of Audacity, then we have some fantastic audio-editing powerhouses here that will expand the scope of your work. While the basics like recording audio, multi-track support, splicing and rearranging clips, and applying effects are seen in every program here, some go much further. Because of that, we sought out a variety of software today, ranging from straightforward and easy-to-learn audio editors to industry-standard workstations. From podcast recording to music creation, people have found plenty of ways to push Audacity's relatively limited features to the max. Features: While Audacity is used across the industry, the ways it's used varies a lot.
